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In addition to being a celebrated milestone of Japanese cinema, Woman in the Dunes is surely one of the most sensual films ever made--not in the purely erotic sense (although eroticism is certainly a potent element), but as a work of pure cinema, in which cinematography and nature combine as powerful forces of artistic expression, melded with a timeless parable of the human condition. Dialogue is sparse and precise, submitting to dreamlike atmosphere and imagery that is genuinely universal; this is the cinematic equivalent of a prehistoric cave drawing, telling a story for all humankind.
Woeful of the trappings of civilization, a young entomologist enjoys solitary fieldwork among the dunes of an oceanside village. Missing his bus to Tokyo, he accepts an invitation to stay in the home of a young widow, whose hut lies at the bottom of an ominous sand pit. He soon realizes that he has been trapped, and that his new role as surrogate husband--helping with the Sisyphean task of shoveling the daily torrent of windblown sand--has been forced on him by a mysterious conspiracy of villagers, who supply provisions from above via rope and pulley. As time passes, the man's initial fury gives way to gradual acceptance, until life in the sand pit seems preferable to attempted escape.
Hiroshi Teshigahara was a 37-year-old novice when he made this film, which received Oscar nominations for Best Director and Best Foreign Language Film. Intimately observing the emotional arc of his characters, Teshigahara incorporates sex, desperation, ingenuity, suffering, pleasure, and much more into this hypnotic visual experience (accompanied by Toru Takemitsu's masterful score), in which sand becomes the third and most dominant character. With images and sequences that are hauntingly and unforgettably evocative, Woman in the Dunes remains a truly extraordinary work of cinematic art. --Jeff Shannon
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Woman in the Dunes Movie Review (1964) Roger Ebert "I love staying at local homes, the man says, accepting an Suna no onna -- original Japanese trailer - YouTube Hiroshi Teshigahara's 1964 film "Suna no onna" (Woman in the Dunes). Adapted from the Kb Abe novel. Woman in the Dunes 1964 - YouTube Directed by Hiroshi Teshigahara ... Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to add NonoLoves 's video to your ... The Woman in the Dunes: Kobo Abe: 9780679733782: Amazon.com: Books The Woman in the Dunes, by celebrated writer and thinker Kobo Abe, combines the essence of myth, suspense and the existential novel. After missing the last bus home ... Suna no Onna (Woman in the Dunes) - Rotten Tomatoes When entomologist Jumpei (Eiji Okada) travels to sand dunes on an expedition, he is met by a group of people who offer him a place to spend the night. They soon lead ... Woman in the Dunes (1964) - The Criterion Collection One of the sixties great international art-house sensations, Woman in the Dunes was for many the grand unveiling of the surreal, idiosyncratic worldview of Hiroshi ... The Woman in the Dunes - Wikipedia, the free encyclopedia The Woman in the Dunes (, Suna no onna ?, literally "Sand woman," also translated as The Woman of the Dunes) is a 1964 Japanese film directed by Hiroshi ... Woman in the Dunes (1964) - Plot Summary - IMDb Woman in the Dunes (1964) on IMDb: Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is ... Women in Islam - Wikipedia, the free encyclopedia Women in Islam are guided by primary Islamic sources of personal law, namely the Quran and hadiths, as well as secondary sources such as ijma, qiyas, ijtihad in form ... Woman in the Dunes (1964) - IMDb Directed by Hiroshi Teshigahara. With Eiji Okada, Kyko Kishida, Hiroko It, Kji Mitsui. Jumpei Niki, a Tokyo based entomologist and educator, is in a poor ...


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